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23 Feb

Alebrijes – Paper monsters

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One of my most surreal moments in Mexico DF was witnessing a parade of giant papier-mache monsters, looking like a spin-off from the psychedelic 1960s, rolling towards us along one of the city’s busiest streets.  These wonderful cardboard sculptures are known as alebrijes and have been made in Mexico since the 1930s.


Smaller, and more robust versions of the paper monsters, are the brightly coloured animal figurines carved out of wood most often found in Oaxaca, which has some of the richest folk-art in Mexico. The tiny village of Arrazola produces many of these miniature animals, made from the soft wood of the copal tree; you can visit the artisans in their homes and buy from them direct. The figurines range from crickets to unicorns.

Female monster
The name alebrijes originates from the grand papier mache creations of Pedro Linares, a craftsman from Mexico City. Alebrije translates as “imaginary” or “fantasy” and is a fitting description for these bizarre creatures.

The story goes that Linares used to make traditional papier-mache figures and carnival masks, for all the local festivals, including piñatas at Christmas, and life-size Judas dolls at Easter. After falling gravely ill, he encountered weird, grotesque animals in his fevered hallucinations. Upon recovery he decided to paint and construct cardboard versions of the animals in his dreams, little realising how popular these ugly monsters would become. As a result of the renewed creativity following his near-death experience, Linares and his family passed over the thin line separating
Female monster
craftsman from artists; a local legend was born and a novel form of folk art was brought into existence.

The popular tradition of burning giant Judas doll at midnight on Easter eve originated from Spain. (A more dangerous version was to stuff them full of fireworks and blow them up, but this was later banned in Mexico). The dolls are usually red papier-mache figures that look like the devil, and burning them is supposed to strike a blow for good against evil. Often, the dolls are made to resemble politicians who have fallen out of favour or corrupt officials – in the mid 1990s, one of the most popular figures of hate was President Salinas.

Renowned muralist, Rivera Diego bought several huge figures for his art studio and European and US enthusiasts started collecting the Linares family’s creations as artistic treasures.

Female monster
The Mexican passion for Judas effigies and alebrijes has endured to this day. In the 1960s, inspired by the success of Linares, a Oaxacan woodcarver, Manuel Jiménez, adopted the style for the miniature figurines he carved. Many other artisans followed suit and these brightly-painted wooden animals and monsters remain as popular as their paper forbears and serve as a portable example of the art form.

The Alebrijes procession I saw took place in one of Mexico City’s main boulevards, Paseo Reforma. The giant creations then came to rest overnight on the wide pavements. How apt that they should have appeared the week before the Day of the Dead was to be celebrated, reminding us of the skill with which Mexicans circumvent horror and fear. What was one man’s terrifying vision of death became celebrated sculptures. With these fantastical creations, the stuff of nightmares has been transformed into colourful, folk art for the delight of adults and children alike.

    

 

Lucy Popescu

Lucy Popescu

Lucy Popescu is a British writer and journalist. She is the author of The Good Tourist (Arcadia Books) about human rights and ethical travel and co-editor of the PEN anthology Another Sky (Profile Books). She writes a monthly column about persecuted writers in Literary Review and her book reviews have appeared in Tribune Magazine and the Independent amongst other publications. She is also a theatre and film critic and writes the occasional arts blog for the Guardian.
She lived and worked in Mexico from 2009 - 2010.

Website: lucypopescu.wordpress.com/

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