Since 1993 over four hundred women have been abducted and murdered in Ciudad Juárez and Chihuahua (both are in in the state of Chihuahua, north Mexico). Many of the women are brutally beaten and raped before being killed and their bodies dumped in the desert or on a secluded street. Others simply disappear without trace.
It is not enough to produce culture; modern society requires that the process should be recorded. People have always been concerned with the writing down of traditions, prior to Modernity, but reminding people of collective traditions became particularly important with the emergence of the nation-state. The political scientist Benedict Anderson suggests that ‘nation-ness’ is the most universally legitimate value in the political life of our time, hence the importance of deploying strategies to construct such an artefact.
When Argentina suffered financial collapse in 2001, demonstrators took to the streets and there were violent confrontations followed by a police crackdown. This is the turbulent backdrop to Matías Néspolo’s debut novel, first published in Spanish in 2009 and fluidly translated by Frank Wynne. It proves particularly topical given the recent global protests.
July 1865. A single tea clipper, The Mimosa, set sail from Liverpool to the west coast of Argentina carrying with it the hopes of 153 pioneers from Wales, 8000 miles away. Their journey was the dream of the revolutionary idealist Michael Jones – a desperate bid to secure a homeland for the people and language of Wales, under assault from the neighbouring English.
The idea that vision is superior to the other senses would explain the commonly held assumption that humans learn better through images, and that ‘a picture is worth a thousand words’. When a new technology that reproduced what the eyes see started to be developed in the nineteenth century, its impact was felt in distinct areas such as art, the social sciences and psychology.
Iosi Havilio was born in Buenos Aires in 1974. Open Door is his first novel. His second novel is Estocolmo (Stockholm, 2010), and he is currently working on a sequel to Open Door. He has become a cult author in Argentina after Open Door was highly praised by the outspoken and influential writer Rodolfo Fogwill and by the most influential Argentine critic, Beatriz Sarlo.
This year the London Latin American Film Festival celebrates twenty-five years of Havana’s International TV and Film School, presenting the highlights from the past quarter century of one of the most influential of Cuban cultural institutions, alongside the best of this year's films, which reflect the changing priorities of Cuba's young filmmakers.
Why do so many of us remain indifferent when a bloodied face pops up bearing witness to our society’s vicious inequalities? This is the first question that always strikes me whenever I read a work like Piri Thomas’ 1967 novel, Down These Mean Streets, about the author’s ghetto youth in Spanish Harlem. The answer is not far off. It can be found in the book and it lies within me.
The Catholic Church has had a bad press of late with a series of damaging child-abuse scandals and shameful cover-ups. Its opposition to contraception and abortion, its subjugation of women and its homophobia have also come under fire. EvelioRosero, prize-winning author of The Armies, offers a unique take on the Catholic Church’s institutional failings in this surreal portrait of one of its Colombian outposts.
Mexico’s El Día de Muertos (Day of the Dead) dates back to indigenous times. However, many of the celebrations associated with the festival, which takes place from 31 – 2 November, have evolved over time.
In the 1890s, Jose Guadalupe Posada began the tradition of depicting satirical images of politicians and celebrities as skeletons.
It is an opinion widely held that mass-consumerism is eradicating difference across the globe in the interests of big business. This is a gross simplification—a closer look at one of the most visible global brands reveals how consumerism brings homogeneity, but also propagates difference in inequality.
One only has to take a look at what is available under Green Shopping in the ‘Environment’ section of The Guardian - solar powered coasters, ecobuttons for PCs and clay pots to help street children in India - to realize that there is more to a ‘Green Economy’ than just a commitment to leave behind the compulsive behavior towards consumption bestowed upon us all by capitalism.
Miss Bala
Mexico/2011
Dir: Gerardo Naranjo
Running time 113 minutes
The violence of Mexico’s drug cartels is impinging daily on the lives of ordinary people. Since 2006, decapitations, corpses left hanging from bridges and body parts found on the beach are just some of the reported atrocities.
Horacio Castellanos Moya was born in Honduras and raised in El Salvador. Throughout his career as a journalist and author, he has lived in Canada, Mexico, Guatemala, Germany and Japan, among others.
Juan Pablo Villalobos was born in Guadalajara, Mexico, in 1973. He studied marketing and Spanish literature. He has done a great deal of market research and published travel stories, and literary and film criticism. He has researched such diverse topics as the influence of the avant-garde on the work of César Aira and the flexibility of pipelines for electrical installations.
South America is home to a legend which, though little known by the wider public, has captivated sociologists, anthropologists, folklorists and journalists, as well as a number of websites concerned with promoting tourism in Uruguay, Paraguay and in the state of Rio Grande do Sul in Brazil.
Capoeira, an art form practiced in Brazil, is a form of martial arts that incorporates dance and music. Characterised by rapid, complex movements, Capoeira originated when the Africans who had been brought to Brazil as slaves combined elements of both cultures to form an original fighting style.
MARCELO FIGUERAS, born in Buenos Aires in 1962, is a writer and screenwriter. He currently lives in Barcelona. His novel Kamchatka (Atlantic Books, 2010) was shortlisted for the Independent Foreign Fiction Prize.
How do we give a voice to those on the margins? We must, first, find their voice – for every human has a voice. We can wander into their world, into shops or up into high-rise flats, to listen out for conversation. Yet, what if we are talking of the furthest margins - those who are so isolated and harried as to barely have conversation?
A study of cinema in Uruguay cannot be realistically undertaken without considering the country’s geographical and socio-political position, which has provided a backdrop against which modern Uruguayan film-makers have developed their craft.
CARLA GUELFENBEIN was born in Santiago, Chile, and lived in England for 11 years, where she took degrees at the University of Essex and Central St Martin's. Returning to Chile, she worked as Art and Fashion Director for the magazine Elle, until she decided to become a full-time novelist.
It is generally accepted by those who investigate the terrain where the Brazilian literature emerged, that the first pieces of writing were concerned with addressing the impressions and reactions spawned by the newness of the physical and human landscapes found in Terra Brasilis.
For 22 years, the Colombian capital city has hosted the Festival Iberoamericano de Teatro de Bogota, a celebration of the dramatic arts. The festival takes place every two years and, until her death in 2008, was produced and directed by Fanny Mikey, an Argentine actress of international renown who first created the festival in 1988.
“Só me interessa o que não é meu.
Lei do Homem. Lei do Antropófago.”
(Oswald de Andrade, 1928, The Anthropophagic Manifesto)
Xochimilco was originally a lake, an offshoot of Lago de Texcoco, upon which Mexico City is so precariously situated today. It was home to some of the most fertile gardens in the region, known as chinampas – these were islands artificially constructed out of piles of silt and rotten vegetable matter.
Rise of the Counter-culture
It would be near impossible to recreate the circumstances that resulted in tropicália. In 1967, Brazil's repressive military government had been in charge for three years and Brazilian music was in status quo. The authorities were happy that samba was the favourite music of the nation – they saw it as the perfect marketing tool – and didn't see the need for change. This was a climate in which João Gilberto's beautiful hybridisation of samba into bossa nova drew stinging criticisms from those who thought it was un-Brazilian.
The Latin American Subaltern Studies Group was initiated in 1992 by a small number of scholars mostly from literature and cultural studies backgrounds, prompted by the dismantling of authoritarian regimes in Latin America and subsequent processes of redemocratization.
Born in Sainte-Marie, Martinique on September 21, 1928, Édouard Glissant, was part of a pivotal generation in the development of French Caribbean thought in the XX century – a generation that included Franz Fanon, that overlapped with that of Aimé Césaire and that set the scene for the emergence of contemporary figures, such as Patrick Chamoiseau and Raphael Confiant.
At least ever since Edward Said wrote Orientalism (1978), it has come to be commonly accepted that texts can create knowledge and that, over time, this knowledge produces discourses. Culture works through consent and this author suggests that European culture produced the Orient, through the accounts of travellers and colonizers, and through literature, by penetrating people’s imaginations with a certain representation of the oriental.
Near the colonial city of Puebla, and just 2 hours outside Mexico City, this sleepy town claims the largest pyramid in the world in total volume (it’s squat but with a base of 450x450m). Founded in 500 BC, the local guide also claims that it is “the oldest living city in America”.
One of my most surreal moments in Mexico DF was witnessing a parade of giant papier-mache monsters, looking like a spin-off from the psychedelic 1960s, rolling towards us along one of the city’s busiest streets. These wonderful cardboard sculptures are known as alebrijes and have been made in Mexico since the 1930s.
‘Outsider Art’ is one of the terms used to refer to work made by self-taught artists in general, and inpatients (or clients, as preferred by some) in psychiatric institutions, in particular. The use of the term is polemic for it implies a distinction between ‘outsider’ and mainstream art.
On July 10 2009, I was startled to read in a British newspaper the surreal headline: “Wrestling midgets killed by fake hookers”. What surprised me (as much as their bizarre deaths and the non-PC appellation) was that in Mexico there existed a popular culture of midget wrestling that I knew nothing about.
This May, Buenos Aires will host the twentieth edition of arteBA, the major fair of Latin American art held annually in the city. Under the banner ‘una fiesta continental’, arteBA will open its doors to over 120, 000 visitors eager to view the latest offerings from some of Latin America’s most exciting contemporary artists.1
The Book of Sand (1975) was written by an aged and blind Jorge Luis Borges, approaching the end of his grand literary career. Having risen to international renown by, in particular, popularising the literary form of “magical realism,” in The Book of Sand he resolutely pursues a fantastical, albeit melancholic, style.